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・ Harold Dods
・ Harold Doley
・ Harold Charles
・ Harold Charles Bold
・ Harold Cheeseman
・ Harold Chester Thomas
・ Harold Chestnut
・ Harold Clark
・ Harold Clarke
・ Harold Clarke (disambiguation)
・ Harold Clarke Goddard
・ Harold Clayton (disambiguation)
・ Harold Cleghorn
・ Harold Cleworth
・ Harold Clive Newman
Harold Clurman
・ Harold Coates
・ Harold Cogger
・ Harold Cohen
・ Harold Cohen (artist)
・ Harold Cohen (politician)
・ Harold Cohen Library, University of Liverpool
・ Harold Cole
・ Harold Collins
・ Harold Collins (Canadian politician)
・ Harold Collins (disambiguation)
・ Harold Collins (politician)
・ Harold Collison
・ Harold Collocott
・ Harold Comte


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Harold Clurman : ウィキペディア英語版
Harold Clurman
Harold Edgar Clurman (September 18, 1901 – September 9, 1980) was an American theatre director and drama critic, "one of the most influential in the United States".〔("About Harold Clurman" ), ''American Masters'', PBS, 2 Dec 2003, accessed 15 Nov 2010〕 He was most notable as one of the three founders of the New York City's Group Theatre (1931–1941). He directed more than 40 plays in his career〔 and, during the 1950s, was nominated for a Tony Award as director for several productions. In addition to his directing career, he was drama critic for ''The New Republic'' (1948–52) and ''The Nation'' (1953–1980), helping shape American theater by writing about it. Clurman wrote seven books about the theatre, including his memoir ''The Fervent Years: The Group Theatre And The Thirties'' (1961).

==Early life and education==
Clurman was born on the Lower East Side of New York City, to Jewish immigrant parents from eastern Europe.〔(【引用サイトリンク】 work=Naming Names )〕 His parents took him at age six to Yiddish theater, here Jacob Adler's performances in Yiddish translations of Karl Gutzkow's ''Uriel Acosta'' and Gotthold Ephraim Lessing's ''Nathan the Wise'' fascinated him, although he did not understand Yiddish. (1999, p. 333 (commentary) ).
He attended Columbia and, at the age of twenty, moved to France to study at the University of Paris. There he shared an apartment with the young composer Aaron Copland. In Paris, he saw all sorts of theatrical productions. He was especially influenced by the work of Jacques Copeau and the Moscow Art Theatre, whose permanent company built a strong creative force. He wrote his thesis on the history of French drama from 1890 to 1914.〔
Clurman returned to New York in 1924 and started working as an extra in plays, despite his lack of experience. He became a stage manager and play reader for the Theatre Guild. He briefly studied Stanislavsky’s system under the tutelage of Richard Boleslavsky (Carnickle 39), and became Jacques Copeau's translator/assistant on his production of ''The Brothers Karamazov'', based on the 1880 novel by the Russian writer Fyodor Dostoevsky.

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